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作 品 " 亂 影" 分 享 "Distracting Images" Slideshow
WE WALK WITH CAMERAS 有 機 同 行
作品 " 亂 影 " 創作概念
當攝影不再是目的，也不是手段的時候，所記錄的影像也許會被視為「亂影」。
然而，「目的」與「手段」都有其意圖，或多或少地影響了影像本身的意義。要擺脫「意圖」唯有進入無我狀態，那麼，攝影便隨著脈搏的起伏與眼簾的開合而釋放自我，變成了感官。《亂影》就是那樣發生的。
" Distracting Images" Artist Statement
When photography is no longer the end in itself or a means, the recorded images may be regarded as “distracting images”.
However, “end” and “means” have their own intentions, which more or less affect the significance of image itself. Ignoring the sense of self is a way to bypassing such intents. Through the rhythm of heart beat and eye blink, photography releases itself and becomes sensation. “Distracting Images” is the way that happened.
當攝影不再是目的，也不是手段的時候，所記錄的影像也許會被視為「亂影」。
然而，「目的」與「手段」都有其意圖，或多或少地影響了影像本身的意義。要擺脫「意圖」唯有進入無我狀態，那麼，攝影便隨著脈搏的起伏與眼簾的開合而釋放自我，變成了感官。《亂影》就是那樣發生的。
" Distracting Images" Artist Statement
When photography is no longer the end in itself or a means, the recorded images may be regarded as “distracting images”.
However, “end” and “means” have their own intentions, which more or less affect the significance of image itself. Ignoring the sense of self is a way to bypassing such intents. Through the rhythm of heart beat and eye blink, photography releases itself and becomes sensation. “Distracting Images” is the way that happened.
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